Jeffrey Oberman
Contributor
Jeffrey Oberman spent 25 years working in the real estate industry in Montreal before moving in 2006 to the Dominican Republic, where he divides his time between overseeing his corporate investments and participating in numerous nonprofit organizations.
For artists and media producers in Canada, the future of the film and television industry lies in producing homegrown content that the rest of world wants to see.
Canada’s Anemic Presence in the International Content Market
We are living in a Golden Age of Television - but can it last in the current climate?
Writers and producers outside the United States are breathing new life into a distinctly American genre
A new art form is emerging, freed from the constraints of traditional movies and TV
Jeffrey Oberman laments the decline of Hollywood’s creativity and the rise of the 17-year-old fanboy
François Dupeyron’s very personal and haunting 2002 film The Officers’ Ward addresses the horrors of war and the damages that are inflicted on the human spirit
Jeffrey Oberman explains how the internet has doomed the CRTC’s policy of limiting access to non-Canadian content on TV
